list of chords and their Note (exercise 13)

Welcome back, 

During the last tutorial (exercise 12) we learn about How to play on all the 12 keys on the piano perfectly.
Today we are going learn list of chords and their Note. 
Hope you enjoy the last tutorial exercise 12☺😉? Yes i did! !
Very Good 👏

Let's get started!!!!!

The Major Chord-(1-3-5)-DOH-MIH-SOH 

 
The Minor Chord-(1-3b- 5)-DOH-MOH-SOH 


The Major 7th --  (1-3-5-7)-DOH-MIH-SOH-TI 


 The Minor 7th - (1-3b-5-7)-DOH-MOH-SOH-TI





Dominant Chords-(1-3-5-7b)-DOH-MIH-SOH-TOR 


Sus 2 Chord-(1-2-5)-DOH - REH - SOH 


Sus 4 Chord-(1-4-5)-DOH - FAH - SOH 


Augmented Chord-(1-3-6b)-DOH-MIH-ZIH 


Major 6th-(1-3-5-6)-DOH-MIH-SOH-LAH 


Minor 6th-(1-3b-5-6)-DOH-MOH-SOH-LAH


Major 9th-(1-2-3-5-7)-DOH-REH-MIH-SOH-TI 


Minor 9th- (1-2-3b-5-7)-DOH-REH-MOH-SOH-TI


Don't forget to place your questions in the comment box below..
Thank you all ☺ 











 

How to play on all the 12 keys on the piano perfectly. (exercise 12)

 

Welcome back, 

During the last tutorial (exercise 11) we learn about  CIRCLE OF FOURTH and  PASSING CHORD
Today we are going learn how to play on all the 12 keys on the piano perfectly. 
Hope you enjoy the last tutorial exercise 11☺😉? Yes i did! !
Very Good 👏

Let's get started!!!!!

 

 NO MORE TRANSPOSING OF SONGS

 

Before we proceed you have t make up your mind to stop transposing from hence forth because the more you transpose is the more you get weaker on playing on all the keys.

 

HOW CAN I AVOID TRANSPOSING?

Yes, it is normal for pianist to have a favorite key they play comfortable on, but playing on all key is as simple as anything you can think of.

 

firstly, all the 12 keys on the piano has the same placement pattern. 

 

example: when playing C major chord which is C E G and you want to move to the C#  major chord, all you need to do is to move a chromatic step forward and that is it you are on C#.

you can use the same pattern on other keys. it as simple as that.

HOW CAN I PLAY A SONG ON A NEW KEY?

 

When playing a song on a key u just learn, all you need to do first on the key before play a song are

• practice the Major scale on the on the key and increase the speed.
• identify the major and the minor chord in the major scale scale.

                    EXAMPLE:  DOH (MAJOR chord)

REH  (minor chord)

MIH  (minor chord)

FAH  (Major chord)

SOH  (major chord)

LAH  (minor chord)

TIH  (diminish chord)

• Practice the 1-4-5 chord progression on the key.
• Now you can now play the as simple as you can play it.
• Practice the song and increase the speed as fast as you can so that your fingers will be able to master the key.

Once you do all this listed above and you keep on practicing, you won't have problem playing on all the 12 keys.

Hope you understood all we treated today?
☺.... Very good👏

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CIRCLE OF FOURTH (exercise 11) PASSING CHORD

Welcome back, 

THE CIRCLE OF FOURTH 

There are many passing chords for any progression in a song all you need is to know how to apply it at the particular time. Most times the left hand play the major role especially in the circle of forth. The application of this technique make you sound advance when playing the piano.

Here are some passing note you can apply when playing a song.

 

1. Circle of fourth 

The circle of fourth is the movement of the fourth (4th) note chromatically from the the third of the root where you are heading to in the progression of the song.

example: am playing a song and am at LAH chord heading to the FAH chord, what am going to do is play a movement of fourth beginning from the Major 3rd note of the FAH chord which is LAH and play a movement of fourth after that the result i get from the movement will be:  

LAH - REH - SOH - DOH - FAH

So that will be the result i get from the movement. below i will show you what my left hand plays when making that movement.

LEFT HAND         RIGHT HAND

LAH                         SO - TI - DO - MI

REH                         FEH - TI - DO - MI

SOH                         FA - LA - TOR - REH                  

DOH                         MI - LA - TOR - REH

FAH                           MI - SO - LA - DO

WOW..... did you try that movement above, it sound super advance. so that the interesting part of the CIRCLE OF FOURTH, it help you move easily to and chord of your choice.

Hope you understood all we treated today?
☺.... Very good👏

This is the end of today lesson.. See you next tutorials

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Passing chords for song progression for advance level (exercise 10)

Welcome back, 

During the last tutorial (exercise 9) we learn how to play 7-3-6 chord progression  passing chord to the lah chord  
Today we are going learn passing chords for songs that makes your playing advance
Hope you enjoy the last tutorial exercise 9☺😉? Yes i did! !
Very Good 👏

Let's get started!!!!!

 WHAT ARE PASSING CHORDS?

Passing chords are those chords that are played in between progressions that link you to the desired progression of your choice. for example, when playing a song you might notice that your playing is not full in the scene that you only play the progression without any additive to fill in the gap, the passing chords makes you play look full and sound advance.

Today am going to show you basic passing tone you should know as a pianist that will help you sound advance when playing the piano.

•  when playing a song and you are returning to the root which is DOH, there are many passing note you can use but here is one which you can apply.

   LEFT HAND                      RIGHT HAND

1.      LA  + MI +   LA       DO + FA + SO + DO
2.      TI  + FA +TI            RE + SO + LA + RE
3.      DO + SO + DO         MI + LA + TI + MI     

This is a very good passing chord to the root from any progression in a song.

• when playing a song and you are moving from SOH to REH, you can apply this also.

       LEFT HAND                             RIGHT HAND

1.       MI                                    SO + TI+ RE + SO
2.      MOH (flatten 3rd)          FE + TOR + DI + FE
3.      REH + LAH                       FA + LA + DO+ FA

This sound advanced, practice more and try to apply it to many songs, 

continue reading in the next post.

<<<< CLICK HERE TO CONTINUE READING>>>>

 Hope you understood all we treated today?
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Thank you all ☺
 

   

How to play 7-3-6 chord progression (exercise 9) passing chord to the lah chord

Welcome back, 

During the last tutorial (exercise 8) we learn how to play  1-2-3-4-2-5-1 chord progression   
Today we are going learn how to play  7-3-6 chord progression 
Hope you enjoy the last tutorial exercise 8☺😉? Yes i did! !
Very Good 👏

Let's get started!!!!!

 7-3-6 chord progression

The 7-3-6 chord progression is a passing chord to the 6th note in the major scale which is lah, this techniques also helps in making your playing sound advance. When playing a song and you want to move from the 1st chord which is DOH to the 6th chord which is LAH, the 7-3-6 can be applied to link you to the 6th chord.

HOW TO APPLY 

       LEFT HAND                                          RIGHT HAND

7               TI                                                LA DO FA

3              MI                                              ZIH (sharpen the SOH) TI MI




6          LAH                                            SO DO MI TI  OR (LA DO MI)



This technique can be applied to any song progression that is passing to the 6th note (lah). it might cause you a lot of time to perfect this techniques. i will rely appreciate you all if you comment on this simple passing note.   


 Hope you understood all we treated today?
☺.... Very good👏

This is the end of today lesson.. See you next tutorials

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how to play 1-2-3-4-2-5-1 chord progression (exercise 8)

Welcome back, 

During the last tutorial (exercise 7)

How to apply the DIH note/chord when playing a song on the piano

  
Today we are going learn how to play  1-2-3-4-2-5-1 chord progression 
Hope you enjoy the last tutorial exercise 7☺😉? Yes i did! !
Very Good 👏
Let's get started!!!!!

 1-2-3-4-2-5-1 chord progression 

The  1-2-3-4-2-5-1 chord progression  is used in many popular songs today, be it gospel or secular. this chord consist of the:

1st which is the root note (DOH)

2nd which is the second note in the major scale  (REH)

3rd which is the third note in the major scale (MIH)

4th which is the fourth note in the major scale (FAH)

5th which is the fifth note in the major scale (SOH)

HOW TO APPLY

                        LEFT HAND               RIGHT HAND

1.             DO + SO + DO               MI +   SO + DO
2.             RE + LA+ RE               FA + LA + RE
3.             MI +TI + MI                 SO+ DO + MI
4.             FA+ DO + FA            LA + DO + FA
5.             RE + LAH                    SO# + DO + FA
6.             SO + RE                     SO + DO + MI
7.             SO + RE                        SO + TI + MI
8.           DO + SO + DO               SO + DO +MI

This might give you tough time to get the timing, but am assuring you that you will perfectly play it to any song if you spend time to practice it.


Hope you understood all we treated today?
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This is the end of today lesson.. See you next tutorials

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UPDATE OF OUR TUTORIAL>>

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Thank you all ☺

How to apply the DIH note/chord when playing a song on the piano (exercise 7)

welcome, 

During the last tutorial (exercise 6) we learn how to apply accidentals chords to your chords to make it sound professional
 
Today we are going to learn how to apply the DIH note/chord when playing a song on the piano (exercise 7)
Hope you enjoy the last tutorial exercise 6☺😉? Yes i did! !
Very Good 👏
Let's get started!!!!!



The DIH chord consists of  (dih + mi +so) diminish chord (dih + mi+ so+ for)


The dih note is the flat 2nd note or sharp one note. For example if your second note key is D, when you flatten it becomes c# or Db. The dih note falls first in the accidental note, remember last time we learnt five accidentals on a piano octave which are DIH, MOH, FEH, ZIH,TOR.

The dih note is the first accidental note and it is used as a passing note to REH. For instance, when playing a song and the progression is moving to REH, the dih cord is apply in between as a passing note to REH. I WILL SHOW YOU AN APPLICATION OF DIH CHORD IN A SONG. This song is a popular song sang by Nathaniel Basset tittle "imela".

Imela chord progression to the chorus:

IMELA ----- DO
IMELA ----- SO
OKAKA----- RE
OYEKERUWA--- FA
now you see the chord Reh above, the dih chord can be place in between the soh and the reh so as to sound advanced. So when applying the dih chord in imela chorus you get





IMELA ----- DOH

IMELA ----- SOH

OKA -- DIH

KA-- REH

OYEKERUWA --- FA

so you notice that the part okaka was split into two so as to apply the dih chord. This techniques goes to other songs which have reh in between the progression. You can make your dih sound advance by making it a diminish chord.


Secondly

The dih chord is Al's applied to end a chord progression using your 6th chord which is lah

This technique makes your chord sound advance when play a song an the progression is ending at lah. Applying this dih chord in the sense that you make your second note which is reh a sus2 chord and land at the dih chord for example.

Right hand.                                                       Left hand




Zih( Sharp 5th).                                           Reh mi LA. ( sus2 for reh)

LA  MI LA.                                                DIH MI LA (DIH CHORD)

So when a song is end with la you should make use of this techniques and you will sons advance.  Keep on practicing and your play will become advance.

Piano Tutorial for beginners (exercise 6) HOW TO APPLY ACCIDENTALS LIKE (DIH, MOH, FEH, ZIH, TOR) WHEN PLAY SONGS

welcome, 

During the last tutorial (exercise 5) How to use chords to solo hymn songs. 

Today we are going learn how to apply accidentals chords to your chords to make it sound professional
Hope you enjoy the last tutorial exercise 5☺😉? Yes i did! !
Very Good 👏
Let's get started!!!!!


Now when playing the Major scale (DO,  RE,  MI,  FA,  SO,  LA,  TI)  you will notice that there are five note that you didn't touch or play,  those note are called ACCIDENTALS

EXAMPLE in the key of C

Major scale are: C,  D, E, F, G, A, B

Accidentals notes are: C#, D#, F#, G#, A#

ACCIDENTALS 

we are going to name the five note that are not part of the Major scale

* The first accidental note after DOH is called DI

* The second accidental note after REH is called MOH

* The third accidental note after FAH is called FEH

* The fourth accidental note after SOH is called ZIH

* The fifth accidental  note after LAH is called TOR


Hope you understand? No.. it confusing😞

If you have any issue please refresh your reading.. OK... Good!!
Let move on.

MAKING ACCIDENTAL NOTES AS CHORDS

Those accidental notes can be change into chords and they can be added when playing a song.

  Accidental note             accidental chords               accidental chords inversions






* DI                                  DI +  MI + LAH                      (MI, LAH, DI) (LAH, DI, MI)

*MOH                               MOH+FEH+TI                       (FEH, TI, MOH) (TI,  MOH,  FEH)

*FEH                                 FE+LA+RE                           (LA, RE, FA) (RE, FE, LA)

*ZIH                                  ZI+TI+MI                              (TI, MI, ZI) (MI, ZI, TI)

* TOR                                TOR+RE+FA                        (RE, FA, TOR) (FA, TOR, RE)

APPLYING ACCIDENTAL CHORDS

 when playing songs and the progression of the song is falling to SOH, play the accidental chord  that is before SOH which is FEH first befor play the SOH chord. 

The same application Goes to the rest note that have accidentals before them. 


Hope you understood all we treated today? YES I UNDERSTOOD
☺.... Very good👏

This is the end of today lesson.. See you next tutorials

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KELVIN KC COLEY REALEASED NEW PIANO VIDEO TUTORIAL

TITTLED:

Play "Dirty" Chords Like Snarky Puppy and Robert Glasper!!!

Kevin KC Conley who is the founder of prettysimplemusic finally releases his new 90 minute video online. The video cost $18.00 and can be paid via PAYPAL.

Try to grab any from the 12min video below and learn some new chords that sound like snarky puppy and Robert Glasper from Kelvin below

Simple triad tricks that makes you sound like a professional you won't believe

welcome back,

Each day i receive messages in my mail box with the same issues

"hi humblekeyz, since when i started following your blog post my play has improved. but i have an issue. pls how can i improve my piano chords, sometimes it sounds as if it a baby playing the piano, pls is there any secrete behind improving my chords. thank you as you reply"

Most time pianist don't know how to use their major triad. There are many tricks on how to make your major triads sound mature. i'm going to post a video below that will reveal tricks which will change your playing. watch the video below and post your comment for any question.

see you soon....

Hanon Exercise

welcome back,

Are having difficulties in running scale on the piano or having problem with your fingers to move freely on the piano keys? hanon exercise will help your fingers move freely. watch the video below and complete the exercises from part one to three. 

Hanon exercise will help you use your two fingers freely.

watch the video below and place your comment for any questions or improvment. see you soon 

How To Play modern Gospel Chords

welcome back,

Today i'm going to link you to a powerful video that will help you improve in your gospel chords within 30mins. This video is titled  TRANSFROMULA SYSTEM by Kevin KC Conley.

This video will make you improve and also help your playing bring down the atmosphere of worship.

click the image to watch the video

<<click here to download video>>


  If you have any question you can place a comment below

A Beginner’s Guide To Reading Sheet Music (and Sight-Reading!)

Written by: HEAR AND PLAY GROUP

welcome back,

Many musicians who play by ear dream of being able to read music. There are countless pieces of complex music, especially in classical music that are fairly difficult to play by ear. Knowing how to read music opens the doors for being able to play anything you want as long as you can find the sheet music. Reading music is also an excellent brain exercise.
So, with all these great things that come with learning how to read music, what are we waiting for? Let’s jump right into the basics. We will begin with a basic understanding of how to read the notes on a sheet of music.


1. The Grand Staff. Music is notated on what we call the grand staff. Each note written on the grand staff tells us exactly which key to play. As shown below, the Grand Staff consists of a treble clef and bass clef . The treble clef is played with your right hand, and the bass clef is played with your left hand.

2. Locating Middle C and Reading Notes.
Middle C is our anchor of note reading. Many beginner pieces will begin on Middle C.
Here is what Middle C looks like on the staff in sheet music.

Here is Middle C on the keyboard. It is the fourth C from the left. You can find the first C by counting three notes in from the left side of a full, 88 key keyboard.

<<click here to continue reading>>

The Application Of The Major Seventh Sharp Five Chord: In The Formation Of Dominant Chords

posted in  Hearandplay gospel training blog

If you want to learn how to form a dominant chord using the major sevent sharp five chord, then this lesson is for you.

Dominant chords are important in harmony for a variety of reasons – notably for its importance in the connection of chords in a chord progression.

Believe it or not, dominant chords are irreplaceable in harmony, and that’s wh gospel musicians invest a lot of time int learning not only how they are applied, but how they are formed as well.

This lesson is designed to show you ho to form dominant chords using the maj seventh sharp five chord.

“What Is A Dominant Chord?”

There are so many ways that the major seventh sharp five chord can be applied But today we’re focusing on it’s application in the formation of dominan chords.

But before we go ahead, “what are dominant chords?”

I want to assume that you have an idea of what a chord is. Therefore, we’ll focu on the definition of the term dominant.

The term dominant is used by music scholars to describe the fifth key component. In every key (whether majo or minor) there are basically eight components.

Check Them Out…

Tonic is the first degree

Supertonic is the second degree

Mediant is the third degree

Sub-dominant is the fourth degree

Dominant is the fifth degree

Sub-mediant is the sixth degree

Sub-tonic is the seventh degree

Octave is the eight degree

Our emphasis is on the fifth degree whi is the dominant. So, the fifth degree in any key (be it a major or minor key) is t

dominant.

In the key of C major:

…where the fifth tone is G:

…all diatonic or scale degree chords founded on the fifth degree which is G a described as dominant chords.

There are basically three classes of dominant chords:


Dominant triads

Dominant seventh chords

Extended dominant chords



Today, we’ll be learning how to form extended dominant chords using the major seventh sharp five chord. But before we do so, let’s take a look at the importance of dominant chords.
A Short Note On The Importance Of Dominant Chords

Dominant chords are important in musi for a variety of reasons which include their affinity for tonic chords. In other words, the dominant chord is the chord that has the greatest affinity for tonic chords which is the chord of the first degree.

This explains why the ending of songs (95 percent of the time) necessitates a chord movement from the fifth degree t the first degree (aka – “the 5-1 chord progression”.) So, the 5-1 progression i the most popular ending of songs in classical and popular music styles as well.

So, we’re focusing on the formation of dominant chords using the major seven sharp five chords in this lesson.
Application #1 – The Formation Of The Dom7 [#9#5] Chord
The C dom7 [#9,#5] chord can be form on any note on the keyboard by playing major seventh sharp five chord a major third (or tenth) above the given root.

Attention: The interval of a major third ( major tenth) is produced by the relationship between the first and third tones of the major scale.
For example, to form the C dom7#9#5 chord, the root is C:

…therefore, playing an E maj7#5 chord:

…over the given root which is C:

…on the bass produces the C dom7 [#9,#5] chord (aka – “altered chord”):

<<click here to continue reading>>

how to play anointing fall on me Anointing, (Fall fresh on me)

welcome back,

Today we are going to learn a song titled anointing fall on me Anointing, (Fall fresh on me)

Key of "F"

LH/RH

CG / BbM7 - A
FC / Am7 - NOIN
DA / FGCE - TING
GbC / Bb (PASSING CHORD)
GD / FABbD[BbM7] - FALL ON





CBb / A - ME
FAEb / G - A
EBb / DGBb - NOIN
AG / Dbdim6 - TING
DA / FM7 - FALL ON
GF / E - ME
DbFB / Eb ["LET THE"]
Cm / Bb - POWER OF THE
EbA / G - HOLY GHOST
ADbG / F [PASSING CHORD]
BbF / Dm7 - FALL ON
GDb / Db6(b5) - ME , A - (( how's this turnaround!!))
CG / F - NOIN
AbEb / Cm7 - TING
DbAb / Fm7 - FALL
CG / Bb - ON
FC / DGCE - ME

Note: LH means Left hand and RH means Right hand

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How to use chords to solo hymn songs (exercise 5)

WELCOME BACK,

During the last tutorial (exercise 4) we learnt on Chords categories and Triad inversions.
Today we are going to learn how to use those chords and their triad inversions to solo hymns song.






Hope you enjoy the last tutorial exercise 4☺😉? Yes i did! !

Very Good 👏

Let's get started!!!!!

When using chords to solo songs, you must know the right chord inversions for the solfa note. for instance:

DO:      MI + SO + DO

RE:      FA + LA + RE    etc.

sometimes, most Pianists  make this mistakes by assuming that when soloing with chords the note will be in it root version.






example

DO:      DO + MI + SO

RE:       RE + FA + LA

MI:       MI + SO + TI.  and so on.....







It very wrong using that technique  when soloing because those chords above are not voicing the note played. like the DO note, it SOH that is voicing out instead of DO. So i will be showing you the right chords for soloing each note when playing a hymn song.

RIGHT CHORD FOR SOLOING HYMN SONG




DO:     MI + SO + DO

RE:      FA + LA + RE

MI:      SO + DO+ MI

FA:      LA + DO + FA

SO:      DO + MI + SO

LA:      DO + FA + LA

TI:       RE + SO + TI

DO:     MI + SO + DO

Hope you understand? No.. it confusing😞
     
      If you have any issue please refresh your reading.. OK... Good!! Let move on.
 

    Look very carefully above, you will notice that some of the chords are another solfa note chord e.g MI, SO, LA, TI... that positions are very correct when soloing a hymn song with chord. You will notice that the last note of all the chords above ends with the solfa note " DO RE MI FA SO LA TI DO" which means that the chords are voicing the note.
 
    The best way to master those chords placement is constant rehearsals because it will take time for your brain to adjust to it due to how you have been playing before..

we are going to use those chords to solo a simple song we all know "MARY HAVE A LITTLE LAMB"

So let play the note together very slow;

MI RE DO RE MI MI MI

RE RE RE MI MI MI

MI RE DO RE MI MI MI

MI RE DO MI RE DO.




Very Good 👏

Now with the the actual chord i gave above for soloing a song, let us apply it to our song that we are about to learn. 

NOTE: any note played, use the chord that is voicing the note above.


LH            RH                     LH            RH

MI:      SO + DO+ MI         RE:      FA + LA + RE

DO:     MI + SO + DO         RE:      FA + LA + RE

MI:      SO + DO+ MI         MI:      SO + DO+ MI

MI:      SO + DO+ MI         RE:      FA + LA + RE

RE:      FA + LA + RE        RE:      FA + LA + RE







MI:      SO + DO+ MI         MI:      SO + DO+ MI

MI:      SO + DO + MI.

MI:      SO + DO+ MI         RE:      FA + LA + RE

DO:     MI + SO + DO         RE:      FA + LA + RE

MI:      SO + DO+ MI         MI:      SO + DO+ MI

MI:      SO + DO+ MI         MI:      SO + DO+ MI      

RE:      FA + LA + RE         DO:     MI + SO + DO

MI:      SO + DO+ MI         RE:      FA + LA + RE

DO:     MI + SO + DO 

NOTE: LH means LEFT HAND and RH means RIGHT HAND.

Hope you understood all we just did now? YES I UNDERSTOOD☺.... Very good👏

By constant practices you will be able to play it well on all the 12 keys and you will notice that your gospel playing and solo has increased.

Please to help yourself improve faster, practice all the chords on all the 12 keys with time u will increase with speed.. learn other songs or hymn with this technique above.


Hope you understood all we treated today? YES I UNDERSTOOD☺.... Very good👏

This is the end of today lesson.. See you next tutorials

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